
**spoiler alert**
I found this in the science-fiction section of my local bookstore - on recommendation from Mark Steyn, who mentions it in his latest book
Lights Out - although this really does not do justice to some of the near-prophetic thinking demonstrated by the author.
I'm not going to discuss the plot, which is excellent in itself, but some aspects of the book that some readers may find interesting. There are no spoilers,
per se, but a discussion of the side-plots involve revealing their outcomes - although those outcomes will come as no surprise to anyone.
Set in the 22nd Century,
Caliphate is set in a very changed world, one where Europe is now an Islamic Caliphate, and America has morphed into a reluctant Empire, forced to give up many of the liberties which makes it what it is today.
Europe is a crumbling remnant of what it once was. Our descendants, those who remain, are faced with a struggle to pay
jizyah to their Moslem rulers, with their only other choice to convert to the ruling faith to save themselves from slavery. Daughters are stolen and sold into prostitution, sons taken as
janissaries, homosexuals are publicly hanged, and freedom is a distant memory. Fortunately, the weaknesses of Islam remain, the lack of initiative, enterprise, inventiveness, and creativity have rendered Moslem Europe a weak power, balanced by a reverted-to-type traditionalist China, a Tsarist Russia, a resurgent South Africa and other nations dependent on, or allied to, the American Empire.
Interestingly, as in Orwell's
Nineteen Eighty-Four, Britain lies within the American sphere - as do Australia and Japan.
Within this new world, the adventure takes place, and the plot is interwoven with a series of flashbacks to the years c.2002-2022, when the great-grandmother of one of the central characters lives, in modern day Germany. The connection exists by way of a diary that survives the turmoil of the 21st century, and paints a portrait of Gabi, an all too-recogniseable stereotype of the modern European America-hating liberal.
Gabi is an artist and activist who never wastes an opportunity to take part in Anti-Bush marches and denounce the Great Satan. She meets an Egyptian immigrant named Mahmoud, who turns out to be one of the more likeable characters in the story. Mahmoud is aware that he fled Egypt to escape Islam, and sees Germany as a more liberal, open society within which to live and work. Gabi fails to convince him that Germany is an evil, racist place, and is horrified when Mahmoud expresses a desire to become Christian and even move to the United States.
Mahmoud tells Gabi how Moslems see Europe and Westerners, and even takes her in disguise to a mosque, where democracy and the West are denounced in hateful terms from the pulpit. After overcoming the initial shock, Gabi is still convinced that Islamic intolerance comes from European intolerance and racism, and maintains her blinkered left-wing worldview. Mahmoud is no fool, he knows that one day Islamic intolerance will bring vengeange upon Moslem immigrants - indeed he is beaten one day by neo-Nazis - and so makes his plans to escape to America. A pregnant Gabi refuses to follow him to a country with no statutory holidays, a poor welfare system, and a "fascist" government.
[Following this point in the narrative, disaster unfolds in the United States, leading to the death of Mahmoud and a chain -reaction of other events.]
As Conservative Europeans flee the continent, replaced by more Moslems and liberal Westerners, taxes become intolerable to pay for the welfare system, and concessions to Islam increase to the extent that Moslem communities now have their own police and courts. So, in the 2020s, when Gabi's daughter is abducted and gang-raped by a group of Moslem "youths", they are set free by Moslem judges who, in true Islamic fashion, believe that rape is always the unveiled woman's fault. This, and only this, is the final straw for Gabi, who takes her daughter to Switzerland to apply for a visa to the now-imperial America.
The reaction of the American consular officer is worth typing out in full here. He pulls Gabi's file, showing photographs of her on marches and demonstrations over the past two decades.
"I'm sorry to have to say it this way but ...you're diseased, you see .. politically diseased. You're in the process of losing your own homeland. You brought it on yourselves and it's become irreversible now. So ask yourself: why should we accept into our country people with a history of destroying the country they live in?"
He explains to a shocked Gabi,
"Europe abandoned its future for a short period of comfort in the present and you .. you
personally.. encouraged this. [...] Europe let in millions of inassimilable, and therefore inherently hostile, foreigners to do the work which the children you did not have could not do. And thus you have no future .. you
sold it .. only a past.
Why should we let you take away our future? What do we owe you that we should risk that?"
The official refuses even her daughter, on the grounds that she "probably carries the same political disease". And here in two paragraphs lies a poetic form of justice. When those same liberals who created their "multicultural paradise" in Europe realise that it has become a dystopian nightmare, why should those who resisted such nonsense take them in?
After all, they will never blame themselves; they will still blame conservatives, and nationalists, and all those who warned them of such things, and, if they are allowed to, they will flee to more sensible parts of the world to try to recreate their utopian dreams there. The only response it to force them to live in the mess they created.
But the novel is not without hope. In fact, it illustrates how the most horrific future itself has an inbuilt self-destruct mechanism. It reminds us too that history has never moved in a straight line, despite what "progressives" might think.
A world without liberals may be a wonderful place, after all :)